tag:blogger.com,1999:blog-15705566241253122602024-02-21T00:49:06.704-08:00Jorge Conde_visual artistVisual artist based in Barcelona, Spain.Unknownnoreply@blogger.comBlogger30125tag:blogger.com,1999:blog-1570556624125312260.post-56365131621027995182017-09-16T00:29:00.002-07:002017-09-30T13:49:59.011-07:00Interview with Jorge Conde. Wall Street International Magazine (WSI Italy) _<div style="text-align: justify;">
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Truly grateful to Raffaele Quattrone and WSI magazine for such an extensive interview regarding my artistic practice and more specifically on "A World-Size House", the project I developed as resident artist at the Royal Spanish Academy in Rome (Italy).</div>
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<a href="https://wsimag.com/art/30226-cultural-practices-and-social-transformation" target="_blank">Full Interview (English)_</a><br />
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<a href="https://wsimag.com/it" target="_blank">WSI magazine Italia homepage_</a></div>
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<a href="https://wsimag.com/it/arte/30222-trasformiamo-il-mondo-con-la-cultura" target="_blank">Full Interview (Italian)_</a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-82934932295562323762017-07-11T02:53:00.003-07:002017-07-19T01:30:24.137-07:002017 Contemporary Art Biennial at the Museum of Modern Art in Tarragona (Spain)_<div style="text-align: justify;">
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<span lang="ES" style="line-height: 150%;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Jorge Conde exhibits <b>“<i style="mso-bidi-font-style: normal;">LOVE ME THIS WAY”</i></b><i> </i>at the Museum of Modern Art (MAMT) in
Tarragona (Spain), as part of the 2017 Contemporary Art Biennial.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><i><span lang="ES" style="line-height: 150%;">“LOVE ME THIS WAY”</span></i></b><span lang="ES" style="line-height: 150%;"> (2012-17) hybrid installation is included in “The
Scarred Transporter Project”, an artistic investigation on technological
utopia, our behaviour as consumers and how these two concepts relate to contemporary
landscape and their so-called “inevitable” environmental implications. Starting
in 2010, this project was produced in close collaboration with the Spanish
Ministry of Culture (MECD), and developed with a Visual Arts Grant awarded by
the the Autonomous Government of Catalonia (CoNCA).</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><i><span lang="ES">“LOVE ME THIS WAY”</span></i></b><span lang="ES"> (2012-17) aims to reflect on the notion of technological
utopia and highlights some common forms of abuse derived from today’s hyperconsumption
society. To do so, Jorge Conde confronts the visual representation of several comsumer’s
archetypes along with real motor vehicles and some scale models donated by people
who visited previous shows of its mother project “The Scarred Transporter”. In addition to that, the exhibition at the
MAMT screens “Love Me This Way”, a video art piece entirely shot at the London
Film Museum (UK) in 2015.</span></span></div>
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<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><i>Love Me This Way</i>, 2017. Video stills</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsAvzB7MUpFLAfpGx_O1IviEeCHQhQATR1Rr3euY2OtRPYZiRuwuWzBBtkrRIFPAE5BBep_0o3JYe10FMOtZuR0tBmqo68E51690K3uW7PZZVG9A_cwReWaxZcBkRslWPIEYK35OyQjvY/s1600/Love-Me-This-Way%2521_2017_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1600" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsAvzB7MUpFLAfpGx_O1IviEeCHQhQATR1Rr3euY2OtRPYZiRuwuWzBBtkrRIFPAE5BBep_0o3JYe10FMOtZuR0tBmqo68E51690K3uW7PZZVG9A_cwReWaxZcBkRslWPIEYK35OyQjvY/s640/Love-Me-This-Way%2521_2017_web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Love Me This Way</i>, 2017</td></tr>
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<b><span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;">2017 CONTEMPORARY ART BIENNIAL</span></b></div>
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Opening: Friday July 14 at 7:30 pm</div>
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Dates: July 14 to September 4, 2017</div>
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<span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;"><b>Museu d'Art Modern de Tarragona</b> (MAMT)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">(Museum of Modern Art)</span></div>
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C/ Santa Anna, 8 43003 - Tarragona (SPAIN)</div>
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<b><span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;">Schedule</span></b></div>
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Tue - Fri: 10 am - 8 pm</div>
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Sat: 10 am - 3 pm | 5 pm - 8 pm</div>
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Sunday and holidays: 11 am - 2 pm</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-19978430379079921992017-05-31T03:39:00.001-07:002017-06-07T13:14:40.447-07:00Jorge Conde at the University of Alicante Museum ( MUA )_<div class="MsoNormal" style="margin: 0px; text-align: center; text-indent: 49.65pt;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="ES" style="font-size: 16pt;"><span style="color: white;">Jorge Conde</span></span><span lang="ES" style="color: red; font-size: 16pt;"> </span><span lang="ES" style="font-size: 16pt;"><span style="color: red;">|</span></span><span lang="ES" style="color: red; font-size: 16pt;"> </span><span lang="ES" style="font-size: 16pt;"><span style="color: white;">Roma non si vende</span></span><span lang="ES" style="color: red; font-size: 16pt;"> </span><span lang="ES" style="font-size: 16pt;"><span style="color: red;">|</span></span><span lang="ES" style="color: red; font-size: 16pt;"> </span><span lang="ES" style="font-size: 16pt;"><span style="color: white;">EAC 2017</span></span></span></div>
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<span style="color: #999999; font-family: "arial" , "helvetica" , sans-serif;"><span lang="ES">MUA. University of Alicante Museum. </span></span><span style="color: #999999; font-family: "arial" , "helvetica" , sans-serif; text-indent: 49.65pt;">June 2nd - July 22nd</span></div>
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<span lang="EN-GB"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #f3f3f3;"><b>Jorge Conde</b> will be presenting the installation "</span><span style="color: red;">Roma non si vende</span><span style="color: #f3f3f3;">" (2016) as part of <b>Encuentros de Arte Contemporáneo</b> (EAC 2017), to be held at the <b>University of Alicante Museum (MUA) </b>starting June 2nd. This installation consists of a series of unseen works created in 2016 as resident artist at the <b>Royal Academy of Spain</b> in Rome (Italy) with the MAEC-AECID Visual Arts Grant awarded by the Spanish Ministries of Foreign Affairs and Culture, along with the </span></span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #f3f3f3;">Spanish Agency for International Cooperation.</span></span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">"</span><span style="color: red; font-family: "arial" , "helvetica" , sans-serif;">Roma non si vende</span><span style="color: #f3f3f3;"><span style="font-family: "arial" , "helvetica" , sans-serif;">"</span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US"> borrows its name from a series of billboards and propaganda flyers that were distributed in Rome a few weeks prior to Saturday March 19th 2016, when a huge demonstration was scheduled in order to protest against several economic and social policies promoted by the Italian government. In addition to that, at that time the city of Rome itself had been suffering from a long-term lack of municipal government which ended up causing an even deeper institutional crisis.</span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US"><span style="color: #f3f3f3;">Conceptually, this installation must be understood as part of the project "</span></span><span lang="EN-US" style="color: #f6000b;">A World-Size House</span><span lang="EN-US"><span style="color: #f3f3f3;">", an artistic, interdisciplinary investigation on the social, architectural and urban impact derived from the recuperation and transformation of previously abandoned buildings and degraded urban areas in Italy's capital city. To do so, Jorge Conde explores up to seventeen obsolete, disused urban areas or abandoned buildings that in the past three decades have been rescued from oblivion and given a second life as cultural institutions.</span></span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: arial, helvetica, sans-serif; text-align: start;">Un edificio abbandonato, </i><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: start;">2016-17. Video</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: arial, helvetica, sans-serif; text-align: start;">I suoni di Roma, </i><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: start;">2016-17</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYVZTUzqblsrr60Z30Lqy-t3AfM5ABX4GHpVzokQVTr5jh0cE3aSNr1_LRChKQQBBR4CKIZENt3y6LKeExuppCEpbcQ2D50x7BEjsUD3HO4vsy40xha_xdEVPwRbA60bPEyaaGhPtGNCY/s1600/_DSC1539_libro_cenital_di%25CC%2581ptico_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="764" data-original-width="1600" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYVZTUzqblsrr60Z30Lqy-t3AfM5ABX4GHpVzokQVTr5jh0cE3aSNr1_LRChKQQBBR4CKIZENt3y6LKeExuppCEpbcQ2D50x7BEjsUD3HO4vsy40xha_xdEVPwRbA60bPEyaaGhPtGNCY/s640/_DSC1539_libro_cenital_di%25CC%2581ptico_web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: arial, helvetica, sans-serif; text-align: start;">"Roma non si vende" </i><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">exhibition view. </span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">University of Alicante Museum - MUA,</span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: start;">2017</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbGXvsKZYr3e1g40rOb0UPriOz_Kuz6rGrZrX3YJNFQef_qiIFk7mxL7czOhaGImsTa6ittwiCRl34VhkNOcCYxP9H5fkXMpeSFqfg4Gg4fzcaS1gsKcx8Q1XINSlR_pSfichXkNAA38M/s1600/_DSC1542_panorama-desde-foto_cropped_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="839" data-original-width="1600" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbGXvsKZYr3e1g40rOb0UPriOz_Kuz6rGrZrX3YJNFQef_qiIFk7mxL7czOhaGImsTa6ittwiCRl34VhkNOcCYxP9H5fkXMpeSFqfg4Gg4fzcaS1gsKcx8Q1XINSlR_pSfichXkNAA38M/s640/_DSC1542_panorama-desde-foto_cropped_web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: arial, helvetica, sans-serif; text-align: start;">"Roma non si vende" </i><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">exhibition view. </span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">University of Alicante Museum - MUA,</span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: start;">2017</span></td></tr>
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<span style="font-size: medium;"><span lang="EN-US" style="font-family: "arial";"><span style="color: #f3f3f3;"></span></span></span></div>
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<span style="font-size: medium;"><span lang="EN-US" style="font-family: "arial";"><span style="color: #f3f3f3;">"</span></span><b><span lang="EN-US" style="color: #fb0007; font-family: "arial";">Roma non si vende</span></b><span lang="EN-US" style="font-family: "arial";"><span style="color: #f3f3f3;">"</span></span></span></div>
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<b><span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b>
<b><span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">Encuentros de Arte Contemporáneo (EAC 2017), Alicante (Spain)</span></b></div>
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<span lang="EN-US"><b><span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">"El Cub" - MUA. University of Alicante Museum</span></b></span></div>
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<span lang="EN-US"><span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">University of Alicante Campus</span></span></div>
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<span lang="EN-US"><span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">Ctra. de San Vicente del raspeig s/n. 03690 San Vicente del Raspeig. Alicante (Spain)</span></span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;"><span style="text-align: start;"><b>Dates:</b> June 2 - July 28, 2017</span></span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;"><b>Opening times:</b> Mon-Fri: 9 am - 8 pm.; Sat & Sun: 10 am - 2 pm.</span></div>
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<span lang="EN-US"><span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;"><b>Opening:</b> Friday June 2 at 7 pm. <b>Free entrance</b></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_0h9VHFanaKI3Q8AvhOSrvP-ueajQL-0xCwGB_HzWERv8lN3kuAOdUhi2dmZt_czsq-EhWT9Vx896nSesRHxls4RIl6PtHyZObGjHh22kbut9F-tgRopXfSM99UdJnWTDeRBpS-KLMfM/s1600/_DSC1571_matriz_tri%25CC%2581ptico_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="451" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_0h9VHFanaKI3Q8AvhOSrvP-ueajQL-0xCwGB_HzWERv8lN3kuAOdUhi2dmZt_czsq-EhWT9Vx896nSesRHxls4RIl6PtHyZObGjHh22kbut9F-tgRopXfSM99UdJnWTDeRBpS-KLMfM/s640/_DSC1571_matriz_tri%25CC%2581ptico_web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: arial, helvetica, sans-serif; text-align: start;">"T-up / T-down" </i><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"><i>matrix</i>. </span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">University of Alicante Museum - MUA,</span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: start;">2017</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji0ye3FyMD94aQS-cuJqRFjg76ClUt5BDWtdpOfVEU3CA-yxCoWZE7A3ICnGMRDXf4pj2vjsxNl5GhY3KcWYjHCgs3mR4k7AhO-5v5Nt67zmcCnzNnMeVUa8nXTWWJnl0gYGo5S9MUL_c/s1600/_DSC1573_panorama-con-2-vitrinas_cropped_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="834" data-original-width="1600" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji0ye3FyMD94aQS-cuJqRFjg76ClUt5BDWtdpOfVEU3CA-yxCoWZE7A3ICnGMRDXf4pj2vjsxNl5GhY3KcWYjHCgs3mR4k7AhO-5v5Nt67zmcCnzNnMeVUa8nXTWWJnl0gYGo5S9MUL_c/s640/_DSC1573_panorama-con-2-vitrinas_cropped_web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: arial, helvetica, sans-serif; text-align: start;">"Roma non si vende" </i><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">exhibition view. </span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">University of Alicante Museum - MUA,</span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: start;">2017</span></td></tr>
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<b><span lang="EN-US" style="color: #fb0007; font-family: "arial";">+INFO</span></b><span lang="EN-US" style="color: #1a1a1a; font-family: "arial"; font-size: 10pt;"></span></div>
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<span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;"><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://www.mua.ua.es/&source=gmail&ust=1496312607418000&usg=AFQjCNE3DEfG9BKIY18Z1WbvacnAFIN8mA" href="http://www.mua.ua.es/" target="_blank">MUA - University of Alicante Museum's Website</a></span></div>
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<span lang="EN-US"><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://aworldsizehouse.blogspot.com.es/&source=gmail&ust=1496312607418000&usg=AFQjCNEVDfjA1daefaeARNdpBZoO5ORq5w" href="http://aworldsizehouse.blogspot.com.es/" target="_blank"><span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;">"AWSH" project's Blog</span></a></span><u><span lang="EN-US" style="color: #103cc0; font-family: "arial"; font-size: 10pt;"></span></u></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-57735401988867445072017-03-01T12:33:00.000-08:002017-03-03T08:23:37.459-08:00"AWSH" project, exhibited at San Fernando Royal Academy of Fine Arts in Madrid (Spain)_<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivOhTJCvqOzEJytSfNKGz_FTW7sfbUtyBRh5Xwafh92wBHQL_0JNTaahKdan715f9h0SVXDgTRXHS_u5vuL0cE3caN6b3USDFEAONZGjJnUtnwgPGIdehUrdS_WNcXx4S_YvKPbc9whX4/s1600/_DSC4785_square_Park-with-MAAM_final_enf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivOhTJCvqOzEJytSfNKGz_FTW7sfbUtyBRh5Xwafh92wBHQL_0JNTaahKdan715f9h0SVXDgTRXHS_u5vuL0cE3caN6b3USDFEAONZGjJnUtnwgPGIdehUrdS_WNcXx4S_YvKPbc9whX4/s640/_DSC4785_square_Park-with-MAAM_final_enf.jpg" width="640" /></a></div>
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<span style="color: white; font-family: "arial" , sans-serif; font-size: 12.800000190734863px; text-align: justify;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;"><b>Jorge Conde </b>presents </span><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;">"</span></span><b style="color: #222222; font-family: arial, helvetica, sans-serif; font-size: 12.800000190734863px; text-align: justify;"><span lang="EN-US" style="color: #fb0007;">A World-Size House</span></b><span style="color: white; font-family: "arial" , sans-serif; font-size: 12.800000190734863px; text-align: justify;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;">", a project created as resident artist at the Royal Academy of Spain in Rome (Italy) for the period 2015-16.</span></span><br />
<span style="color: white; font-family: "arial" , sans-serif; font-size: 12.800000190734863px; text-align: justify;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;">"<i>Hecho en Roma"</i> is an exhibition curated by Manuel Blanco and hosted by the <b>San Fernando Royal Academy of Fine Arts</b> in Madrid (Spain).</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMXEEoC4Vf9WTj-fb_wADdm9YnrdluP5Yq99xwbPMv6XyQTdVeMeVtdOaXO6GYRo1ZLFgIs9adCn-1bjP2qP1TBj8Ge1aur80ZCa5u3AMZp-sbx0d-usrUPk9gYN6D2ohVWC6ZytTuFyU/s1600/_DSC4808_square_Mattatoio_final_enf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMXEEoC4Vf9WTj-fb_wADdm9YnrdluP5Yq99xwbPMv6XyQTdVeMeVtdOaXO6GYRo1ZLFgIs9adCn-1bjP2qP1TBj8Ge1aur80ZCa5u3AMZp-sbx0d-usrUPk9gYN6D2ohVWC6ZytTuFyU/s640/_DSC4808_square_Mattatoio_final_enf.jpg" width="640" /></a></div>
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<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; font-size: 10pt;"><span style="color: white;">"</span></span><span lang="EN-US" style="color: #f6000b; font-family: "arial" , "helvetica" , sans-serif; font-size: 10pt;"><b>A World-Size House</b></span><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; font-size: 10pt;"><span style="color: white;">" </span></span><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; font-size: 10pt;"><span style="color: white;">is an artistic investigation on the social, architectural and urban impact derived from the recuperation and transformation of abandoned buildings and degraded urban areas in the city of Rome. To do so, Jorge Conde explores up to seventeen obsolete, disused urban areas or abandoned buildings that in the past three decades have been rescued from oblivion and given a second life as cultural institutions.</span></span></div>
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<span lang="EN-US" style="font-size: 10pt;"><span style="color: white; font-family: "arial" , "helvetica" , sans-serif;">The transformation of disused spaces is a fairly effective strategy widely-used by the public and private sectors in may countries and diverse territories not only to promote creation, speed up the cultural scene and articulate society, but also to stimulate growth, provide a gain of prestige, and reactivate declining urban areas. Inserted within a more ambitious <i>renovatio urbis</i> proc<wbr></wbr>ess, this strategy undoubtedly establishes new paradigms and introduces a clear notion of cultural utopia.</span></span></div>
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<span style="color: white; font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US" style="font-size: 10pt;">Internationally, this strategy has also produced some negative effects such as the application of flawed, inefficient cultural policies, real estate speculation, mutation of urban identity, social division, gentrification, and ghettoization. In Rome’s case specifically, it frequently happens as an exercise of industrial archaeology, a response to a conflict of interest or a way of dealing with a social emergency.</span><span lang="EN-US" style="font-size: 10pt;"></span></span></div>
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<span style="color: white; font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 10pt;">In the city of Rome there are plenty of such examples of urban rebirth, newly-born institutions of different types, ranging from public museums, art production centers and </span><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 10pt;">privately-run foundations</span><span lang="EN-US"><span style="font-family: "arial" , sans-serif; font-size: x-small;">,</span><span style="font-family: "arial" , sans-serif;"> to occupied, self-managed, barely legal cultural centers or even historical sites, along with many other hybrid initiatives. All of these projects have to some extent modified or recuperated the memory of several of the most distinctive Roman “</span>quarteri<span style="font-family: "arial" , sans-serif;">”.</span></span></span></div>
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<span style="background-color: #444444; font-family: "arial" , sans-serif; font-size: 12.800000190734863px;"><span style="color: white;">© Miguel Lizana /AECID & </span></span><span style="background-color: #444444; color: white; font-family: "arial" , sans-serif; font-size: 12.800000190734863px;">Jorge Conde</span></div>
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<span style="color: white;"><span lang="EN-US" style="font-family: "arial"; font-size: 10pt;">Project: </span><span lang="EN-US" style="font-family: "arial"; font-size: 9pt;">"</span></span><b style="color: #222222;"><span lang="EN-US" style="color: #fb0007; font-family: "arial"; font-size: 9pt;">A World-Size House</span></b><span lang="EN-US" style="font-family: "arial"; font-size: 9pt;"><span style="color: white;">"</span></span></div>
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<span lang="EN-US" style="font-family: "arial"; font-size: 10pt;"><span style="color: white;">Exhibition title: <b><i>Hecho en Roma / Made in Rome</i></b></span></span><br />
<span lang="EN-US" style="font-family: "arial"; font-size: 10pt;"><span style="color: white;">Curator: Manuel Blanco Lage</span></span></div>
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<span lang="EN-US" style="font-family: "arial"; font-size: 10pt;"><span style="color: white;">Institution: <b> Calcografía Nacional | Real Academia de Bellas Artes de San Fernando</b></span></span></div>
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<span style="color: white;"><span lang="EN-US" style="font-family: "arial"; font-size: 10pt;">Address: C/ Alcalá, 13 - 28014 Madrid</span><span style="font-family: "arial"; font-size: 10pt;"> - SPAIN</span></span></div>
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<span lang="EN-US" style="font-family: "arial"; font-size: 10pt;"><span style="color: white;">Dates: February 24 - April 2, 2017</span></span></div>
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<span lang="EN-US" style="font-family: "arial"; font-size: 10pt;"><span style="color: white;">Schedule: Tuesday through Saturday from 10am to 2pm and from 5pm to 8pm. Sundays and holidays from 10 am to 2 pm</span></span></div>
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<span lang="EN-US" style="font-family: "arial"; font-size: 10pt;"><span style="color: white;">Opening: Friday February 24 at 7pm. Free entrance</span></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-12484358642694306122017-02-22T03:48:00.001-08:002017-02-22T10:18:45.158-08:00"MADE IN ROME", "San Fernando" Royal Academy of Fine Arts in Madrid (Spain)_<div style="font-family: Helvetica, Arial, sans-serif; font-size: 14px; margin-bottom: 6px;">
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<span style="color: white;">Next Friday February 24 at 7pm my fellow artists-in-residence and myself will be opening "Hecho en Roma", the exhibition showcasing the projects developed last year at the Royal Academy of Spain in Rome. Everybody is welcome!</span></div>
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<span style="color: white; font-family: "arial" , "helvetica" , sans-serif;">Participating artists, writers and researchers: Alberto Díaz, Andrés Catalán, Antonio Blanco, Clara Montoya, Benjamín Domínguez, Fátima Bethencourt, Gabriela Bettini, Inés M. Fuentes, Iñaki Gracenea, Manuela Pedrón Nicolau, Jaime González Cela, Jaime J. Ferrer, Jesús Madriñán, Jorge Conde, José Guerrero, Josep Tornero, Juan Zamora, Julia Ramírez Blanco, María Elena Cuenca, Martín López Lam, Rafael R. Villalobos, Susana Arenillas, Ulises Juárez Polanco.</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-84687034035676334672017-01-31T04:32:00.000-08:002017-02-07T04:54:54.610-08:00Jorge Conde's AWSH project, prior to its upcoming exhibition at RABASF in Madrid (Spain)_<div style="text-align: center;">
Video presentation of Jorge Conde's "A World-Size House" project (2016), prior to its upcoming exhibition at the San Fernando Royal Academy of Fine Arts in Madrid (Spain).</div>
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<a href="https://vimeo.com/202916214" target="_blank"><span style="color: orange;">AWSH project_video presentation</span></a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-45097876454640050402016-12-12T09:21:00.001-08:002016-12-12T09:51:10.826-08:00"Street Journalists", a new work to be included in the "WFoF" series_<div style="text-align: justify;">
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<span style="color: #eeeeee;"><br /><span style="font-family: "courier new" , "courier" , monospace;">This series of paintings and manually-altered hybrid photographs ironically reflect on some common obsessions widely spread in contemporary Western societies and the excesses of today’s quest for instant satisfaction. Generally speaking, they are defence mechanisms –often times extremely sophisticated- used by individuals either to adjust themselves to the role models communicated by the media, or else to get some relief from competition and peer pressure.</span></span><span style="color: #cccccc; font-family: "courier new" , "courier" , "freemono" , monospace;"><br /></span></div>
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<span style="color: #444444; font-family: "courier new" , "courier" , monospace;"><br /></span><span style="color: #eeeeee;"><span style="font-family: "courier new";">The original photographs were mostly taken in London's South Bank district, </span><span style="font-family: "courier new";">in the vicinity of the </span><st1:place style="font-family: 'courier new';" w:st="on"><st1:placename w:st="on">Millenium</st1:placename> <st1:placetype w:st="on">Bridge</st1:placetype></st1:place><span style="font-family: "courier new";">, in November of 2009. Hundreds of photos and clips were taken/recorded during the said session, images of people passing by along with architectural elements and the urban setting. Later on, the images were carefully selected, fragmented, and used in order to compose the final works. Hybridization of pictorial and photographic techniques helped the artist to explore the series’ main theme from a more conceptual, speculative perspective.</span></span><span style="color: #444444;"><span style="font-family: "courier new" , "courier" , monospace;"></span></span></div>
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<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><i>Street Journalists</i>, 2016<br />
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<a href="http://aworldfulloffreaks.blogspot.com.es/" style="font-family: 'courier new', courier, monospace; font-size: 13px; text-align: justify;" target="_blank"><span style="color: orange;">+ INFO on the "WFoF" series_</span></a></td></tr>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-156383001175566052016-10-17T09:06:00.000-07:002016-11-07T09:41:33.587-08:00Jorge Conde presents "T-up / T-down" at SCAN 2016 International Photography Festival_<br />
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Jorge Conde presents “<b style="mso-bidi-font-weight: normal;"><span style="color: red;">T-up / T-down</span></b>” at <b>SCAN PhotoBooks 2106</b>, within the <b>SCAN I</b></span></span><span style="font-family: '"arial"', '"helvetica"', sans-serif; text-align: center;"><b>nternational Contemporary Photography Festival</b>'s official section, which will take place in the city of Tarragona (Spain) from October 19th, 2016 to January 8th, 2017</span><span style="font-family: arial, helvetica, sans-serif;">.</span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Somewhere in between the concept of an artist's book and that of a photobook, “<b style="mso-bidi-font-weight: normal;"><span style="color: red;">T-up / T-down</span>”</b> is a handmade work consisting of 15 variations which turn every copy into a unique piece of art.</span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "arial" , "helvetica" , sans-serif;">It was exclusively conceived as a tool devoted to reflection and analysis during the research phase of “<b style="mso-bidi-font-weight: normal;">A World-Size House</b>”, the visual arts project Jorge Conde has been developing as resident artist at the <b>Spanish Royal Academy in Rome</b> (RAER) for the period 2015-16.<o:p></o:p></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;">Thus, “</span><b style="font-family: Arial, Helvetica, sans-serif; text-indent: 0cm;"><span style="color: red;">T-up / T-down</span>”</b><span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;"> [Thumbs up (or down)] ignites an experimental, participative game with which the reader is given the opportunity to “approve” or “reject” a wide selection of urban transforming projects, all of them integrated in Rome's contemporary cultural scene with unequal social impact and also delivering diverse results.</span></div>
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<span lang="EN-US"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://aworldsizehouse.blogspot.com/" target="_blank">http://aworldsizehouse.blogspot.com</a><o:p></o:p></span></span></div>
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<a href="http://www.scan.cat/es/lista-de-seleccionados-para-scan-photobooks/" style="font-family: Arial, Helvetica, sans-serif;" target="_blank"><b><span style="color: orange;">SCAN PhotoBooks 2016</span></b></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">(SCAN International Contemporary Photography Festival)<o:p></o:p></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>From October 19th, 2016 to January 8th, 2017 </b><o:p></o:p></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Opening: </b>Wednesday October 19th at 7pm <o:p></o:p></span></div>
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<span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;"><b>Tinglado 2</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Moll de Costa del Port de Tarragona<o:p></o:p></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Tuesday thru Saturday, from 10am to 1pm and from 4pm to 7pm</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Sundays and Holidays from 11am to 2pm.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Free Entrance</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Curated by: Roser Cambray | Supported by: Port de Tarragona </span><o:p></o:p></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-25354035823150839152016-07-07T07:06:00.000-07:002016-07-14T23:00:26.224-07:00Jorge Conde's "A World-Size House" project, exhibited at the Accademia di Spagna in Rome_<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Jorge Conde</b>'s exhibition at the <b>Spanish Academy in Rome (RAER)</b> consists of a selection of 9 works included in "<b>A World-Size House</b>", the artistic project he has created as resident artist at the said institution during the period 2015-16, thanks to a Visual Arts grant awarded by the Spanish Ministry of Foreign Affairs and the Spanish Agency for International Cooperation and Development (MAEC-AECID).</span></div>
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<span lang="ES"><span style="font-family: "arial" , "helvetica" , sans-serif;">"<b>A World-Size House</b>" is an artistic investigation on the social, architectural and urban impact derived from the recuperation and transformation of abandoned buildings and degraded urban areas in the city of Rome. To do so, Jorge Conde explores nearly fifteen obsolete, disused urban spaces that in the past three decades have been rescued from oblivion and given a second life as cultural institutions. In each case, he aims at discovering the memory of the territory (traces from the past), the existing venue's history, mission and resources, its impact on the neighborhood and the most significant challenges it'll be facing in the near future.</span></span><br />
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<span lang="ES"><span style="font-family: "arial" , "helvetica" , sans-serif;">In the city of Rome there are plenty of such examples of urban rebirth, newly-born institutions of different types, ranging from public museums, art production centers and </span></span><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; text-indent: 0cm;">privately-run foundations</span><span style="text-indent: 0cm;"><span style="font-family: "arial" , "helvetica" , sans-serif;">, to occupied, self-managed, barely legal cultural centers or even historical sites, along with many other hybrid initiatives. Two of the most interesting examples are: in the first place the MAXXI (Museo Nazionale delle Arti del XXI Secolo), built after the partial recuperation of the former Italian Army barracks located in the Flaminio quarter, thanks to public funding and promoted by the Italian State. In 1999, Anglo-Iranian architect Zaha Hadid was commissioned the construction of a cutting-edge, iconic building which served the purpose of putting Rome on the map of the global contemporary art scene. And secondly, the creation of MAAM (Museo dell’Altro e dell’Altrove) in Metropoliz Città Meticcia, a quite singular inhabited museum that was self-instituted after the occupation of the "Fiorucci" building, a long-time abandoned meat packing factory situated in a peripheral suburb named </span></span><span style="text-indent: 0cm;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Tor Sapienza, by a large number of homeless people, immigrants from various European and North-African countries, together with refugees from the recent wars taking place in Ukraine and Siria</span></span><span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;">.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;">The transformation of disused spaces is a fairly effective strategy widely-used by the public and private sectors in may countries and diverse territories not only to promote creation, speed up the cultural scene and articulate society, but also to stimulate growth, economic speculation, and reactivate declining urban areas. This strategy, inserted within a more ambitious </span><i style="font-family: arial, helvetica, sans-serif; text-indent: 0cm;">renovatio </i><span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;"><i>urbis</i></span><span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;"> process, undoubtedly establishes new paradigms and introduces a clear notion of cultural utopia. In some other cases, it is a response to a conflict of interest or a social emergency. As part of a "contagious", globally-applied phenomenon, it has also produced some negative effects such as gentrification, ghettoization, and mutation of urban identity.</span><br />
<span style="text-indent: 0cm;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span><span style="text-indent: 0cm;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Needless to say that whilst some of these transformations have succeeded, some others have faced great difficulties being therefore forced to reinvent themselves or adapt their action to a worsened context with decreasing resources. In addition, there are cases which could be regarded as truly disappointing, a complete failure or projects that, due to various reasons (i.e. budget cuts, lack of effective cultural policies, political disputes, poor management, change of priorities, etc.), still remain unfinished.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; text-indent: 0cm;">It is thus crucial to evaluate to what extent these transformations serve the purpose of getting people involved in the city’s cultural scene, or in delivering a higher quality cultural outcome. It is also worth analyzing whether this strategy only works well in the good times and in “healthy”, growing economies. From this perspective, crisis can be approached as an opportunity to rethink the role of cultural institutions, the concepts of social impact, creation and education, along with some utopia-generating mechanisms. Can this model survive and remain faithful to its essence?</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">As Jorge Conde says: "</span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="ES">“<b>A World-Size House</b>”</span><span lang="ES"> is a project strongly rooted in the tradition of conceptual art, in which I combine original and archival materials, where the documents collected and its processes are just as important as the creative works. Likewise, most of the artworks included in this project have been executed by using different techniques such as photography, video, sound art, artist's books, installation and a few other hybrid forms of art.</span></span></div>
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<span lang="ES"><span style="font-family: "arial" , "helvetica" , sans-serif;">Moreover, from the very beginning I decided to use a so-called <i>experiential immersion methodology</i> which, aside from thoroughly exploring these urban areas, photographing, video recording and capturing its most significant sounds, involved the conducting of a series of interviews with the persons in charge of these newly-born cultural institutions. At this point it is important to highlight that, in order to experiment these institutions and get to know their true impact on the Roman "quartieri", I never <i>abandoned</i> Rome during the 4-month field work period, when I collected information, experiences, raw materials, memorabilia, and did most of the interviews. It was only during the final three months when I fully dedicated myself to the creative process and deliberately searched for the mental and physical distance needed to produce deep, meaningful pieces of art."</span><o:p></o:p></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Title: "A World-Size House" (included in "PROCESSI 143").</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Venue: Spanish Academy in Rome / Real Academia de España en Roma (RAER).</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Address: Piazza di San Pietro in Montorio, 3 (Gianicolo), 00153 ROMA (Italia).</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Dates: June 23rd - September 30th, 2016.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Times: Tuesday through Sunday; 10 am to 6 pm. </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Free entrance.</span></div>
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<span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;">ITALIANO_</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b style="mso-bidi-font-weight: normal;"><span lang="ES">“A World-Size House”</span></b><span lang="ES"> </span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;">è una ricerca artistica contestualizzata nella città di Roma su una selezione di edifici e spazi urbani abbandonati che in tempi recenti sono stati recuperati e dotati di nuova vita sotto forma di istituzioni culturali. Queste trasformazioni rispondono a iniziative molto diverse e hanno dato alla luce istituzioni di tipologia dissimile: dalla nascita del MAXXI (Museo Nazionale delle Arti del XXI Secolo) in seguito al recupero parziale delle caserme del quartiere Flaminio grazie all’iniziativa pubblica e all’intervento dello Stato italiano, che commissionò all’architetta anglo-iraniana Zaha Hadid la costruzione di un edificio iconico, fino alla creazione del MAAM (Museo dell’Altro e dell’Altrove) en Metropoliz Città Meticcia, sorto dall’occupazione dell’antica fabbrica di salumi Fiorucci nel quartiere periferico di Tor Sapienza.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">La trasformazione di spazi obsoleti o in disuso è una strategia che non soltanto serve a dinamizzare la scena culturale, ma anche ad alimentare la riflessione, a creare prestigio, a riunire la società civile e riattivare le zone depresse del paesaggio urbano. Integrata in una</span><i style="font-family: Arial, Helvetica, sans-serif;"> renovatio urbis</i><span style="font-family: "arial" , "helvetica" , sans-serif;"> di più ampio respiro, stabilisce nuovi paradigmi e mette in atto un’idea dell’utopia culturale contemporanea. In altri casi si pone come la risposta a un conflitto d’interessi o a un’emergenza sociale. Come strategia contagiosa di portata internazionale, sfocia anche in fenomeni non particolarmente positivi, come l’applicazione di politiche culturali discutibili, gestione carente, alterazione dell’identità urbana, gentrificazione e ghettificazione. Sebbene alcune di queste trasformazioni abbiano ottenuto un successo notevole, la crisi economico-finanziaria degli ultimi anni e il suo indiscutibile impatto sociale, ha comportato serie difficoltà per molti di questi spazi, che hanno dovuto reinventarsi o prefissarsi obiettivi più modesti, adattati a circostanze avverse e a risorse in calo. Può resistere il modello senza che cambi la sua essenza?</span><br />
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<tr><td class="tr-caption" style="font-size: 13px;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>AWSH</b>, 2016. Installation consisting of 6 videos, various objects and other materials.</span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-25587370454460825522016-06-23T12:39:00.000-07:002016-07-13T12:43:36.089-07:00"Mostra PROCESSI 143". Accademia di Spagna in Rome_<span style="font-family: "arial" , "helvetica" , sans-serif;">Jorge Conde presents his latest project "A World-Size House" at the Spanish Academy in Rome (RAER). This is included in "Processi 143", the annual exhibition where resident artists, writers and researchers exhibit their projects and artworks focusing on their creative process.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">A selection of 9 works will be on display until September 30th. These have been created in Italy as part of his residency at the Spanish Academy for the period 2015-16.</span><br />
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<strong><span style="background-color: orange; color: white; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 13.5pt; line-height: 22.5px;">« PROCESSI 143 »</span></strong></h4>
<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><br /></span><span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Roma è una città eterna, ma soprattutto è una città infinita che mette a dura prova anche la curiosità più insaziabile. La densità e i contrasti storici, vitali e sociali che si accumulano in ogni dettaglio urbano provocano nel soggetto moderno, nel soggetto Wikipedia, uno scontro con il rumore e il caos. Trovare un significato in ciò che si vede – e costruire l’identità di chi guarda - diviene un’operazione densa d’ansia e complessità.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Giovedì 23 giugno, in occasione dei 143 anni della Real Academia de España, i 23 artisti ivi residenti esporranno ed illustreranno i loro lavori dedicati a Roma in un anno di residenza nella Città Eterna. Un saggio, un’esposizione, un momento di incontro che intende celebrare anche la lunga ed intensa attività della prestigiosa Accademia che continua da decenni, con il sostegno del Ministero degli Affari Esteri spagnolo, a dare ospitalità a talenti delle discipline più diversificate. Sotto l’egida dell’attuale “Directora”, María Ángeles Albert de León, a partire dalle 19 si darà vita ad un vero e proprio concentrato di cultura in cui, di persona, sarà possibile interagire con i creatori di progetti tanto innovativi quanto attuali, dal punto di vista concettuale, tecnologico e di argomentazione.</span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-556727749413335442016-06-14T12:32:00.000-07:002016-07-13T12:36:15.663-07:00"Why to Build a Museum on the Moon?" Round table at the Spanish Academy in Rome_<div class="MsoBodyText" style="line-height: 12pt;">
<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Jorge Conde will be presenting at the round table on "Art, Occupation and Utopia" to be held today at the Spanish Academy in Rome.</span><br />
<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><br /></span><span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>PARTICIPANTS:</b></span><br />
<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><br /></span><span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>Giorgio de Finis</b>, anthropologist, curator and founder of MAAM (Rome).</span><br />
<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>Jorge Conde</b>, visual artist in residence at the Spanish Academy in Rome (RAER). Author of "A World-Size House Project".</span><br />
<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>Julia Ramírez Blanco</b>, Art historian in residence at the Spanish Academy in Rome (RAER).</span><span lang="EN-US" style="font-family: "arial"; font-size: 16pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>EVENT:</b> “Il Museo dell’Altro e dell’Altrove o Perché fare un museo sulla Luna?” / Why to Build a Museum on the Moon? Round table on "Art, Occupation and Utopia".</span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>DATE:</b> June 14th at 8:30 pm.</span><span lang="EN-US" style="font-family: "arial"; font-size: 16pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>PLACE:</b> Academia de España / Spanish Academy (RAER). Piazza di San Pietro in Montorio, 3 (Gianicolo), 00153 ROME</span><span lang="EN-US" style="font-family: "arial"; font-size: 16pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="color: orange; font-family: "arial"; mso-ansi-language: EN-US;"><b style="font-family: arial;">ITALIANO_</b></span><br />
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b style="font-family: arial;">TAVOLA ROTONDA</b><span style="font-family: "arial" , "helvetica" , sans-serif;"> <o:p></o:p></span></span><span style="font-family: "arial" , "helvetica" , sans-serif;">“Il Museo dell’Altro e dell’Altrove o Perché fare un museo sulla Luna?”</span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Dopo quattro anni di percorso, Giorgio de Finis, ideatore del Museo dell’Altro e dell’Altrove, ci accompagnerà nella cornice dell’Accademia per riflettere su come è cambiato e sulla direzione che ha preso ciò che viene definito il “primo museo abitato del pianeta”. Insieme a lui ci saranno Jorge Conde e Julia Ramírez, artisti residenti dell’Accademia di Spagna a Roma, che, sulla base dei propri studi e lavori realizzati quest’anno, parteciperanno alla tavola rotonda.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;"><b>INTERVENTI:</b><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Giorgio de Finis, antropologo, artista e curatore indipendente.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Jorge Conde, artista visivo residente alla Real Academia de España en Roma<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial"; mso-ansi-language: EN-US;">Julia Ramírez Blanco, residente alla Real Academia de España en Roma.</span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-24710273826699358872016-03-15T12:26:00.000-07:002016-07-13T12:46:35.588-07:00Jorge Conde participates in "Open Studios" at the Spanish Academy in Rome_Next Thursday March 17th OPEN STUDIOS will be held at the Accademia di Spagna In Rome (RAER).<br />
This show is conceived as an opportunity for professionals from the contemporary art sector and other cultural initiatives to get familiar with some of the projects resident artists are being developing as part of their residency program (ARP) at the Spanish Academy.<br />
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<b>PLACE:</b> STUDIO 6 (Jorge Conde will be showing his work-in-progress project "A World-Size House")</div>
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<b>DATE:</b> March 17th, 2016</div>
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<b>TIMES:</b> 10am - 5pm for professionals; 5pm - 7pm for the general public.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-1628970579566537122016-03-01T05:50:00.002-08:002016-03-01T05:57:45.613-08:00The Mass-Man Project exhibited at Sala Fortuny in Reus (Spain)_<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB0gjSOg3R3ukEwF7GwhdsAj4yIscKuD7EDUOQxVc9hI5YWH_clFF6h189QCP8qnXphSxmWyK2tsc8SdyYLUG7DVVB8q0Ccfwd0dUMSC5K6ELu_daxWvz8dF-pTPeWRKuA4URuAX-zrr0/s1600/DSC_0035_corner-all_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB0gjSOg3R3ukEwF7GwhdsAj4yIscKuD7EDUOQxVc9hI5YWH_clFF6h189QCP8qnXphSxmWyK2tsc8SdyYLUG7DVVB8q0Ccfwd0dUMSC5K6ELu_daxWvz8dF-pTPeWRKuA4URuAX-zrr0/s640/DSC_0035_corner-all_web.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="ES" style="color: white; font-family: "arial"; mso-bidi-font-family: "Courier New";">THE </span></b><b style="mso-bidi-font-weight: normal;"><span lang="ES" style="color: #ff6600; font-family: "arial"; mso-bidi-font-family: "Courier New";">MASS-MAN</span></b><b style="mso-bidi-font-weight: normal;"><span lang="ES" style="color: #4d4d4d; font-family: "arial"; mso-bidi-font-family: "Courier New";"><span style="color: white;"> PROJECT</span><span style="color: #4d4d4d;"><o:p></o:p></span></span></b></div>
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<span lang="ES" style="color: #f3f3f3; font-family: "arial"; font-size: 10pt;">Jorge Conde</span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif; text-align: start;">"THE MASS-MAN PROJECT" explores the idea of agglomeration and its relation to mainstream consumerism in today's market societies from a triple perspective:</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"><b><span style="color: orange;">(1)</span></b> <span style="color: #f3f3f3;">Agglomeration as a performative form of dominion over public spaces.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;"><b><span style="color: orange;">(2)</span></b> <span style="color: #f3f3f3;">Agglomeration understood as an identity-building mechanism that serves the purpose of segmenting social groups according to their needs and affinities as part of a broader strategy promoted by today's so-called "artistic capitalism" (see Lipovetsky, Gilles & Serroy, Jean (2013): <i style="font-weight: normal;">L'esthétisation du monde</i>, Éditions Gallimard, Paris.)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="text-align: start;"><b><span style="color: orange;">(3)</span></b> </span><span style="color: #f3f3f3;">Agglomeration as a closed, stereotyped thought structure which aims at becoming dominant regardless of its truthfulness or critical sense.</span></span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">Within this theoretical context, widespread phenomena such us the massification (sold-out) of public spaces, the artificial creation of market trends in order to attract different segments of society, and non-critical thought structures, can be regarded as utopian strategies that allow individuals to adjust reality so as to gain power and feel more comfortable and secure within their own biography as well as among their peers.</span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">Methodologically, this projects finds inspiration in Spanish philosopher Ortega y Gasset's essay <i>The Revolt of the Masses</i> (1926-30), particularly in his concepts of the "Mass-Man" and the "Happy Many", both now updated.</span></div>
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<span style="color: #f3f3f3; font-family: "arial" , "helvetica" , sans-serif;">For the exhibition at Sala FORTUNY three complementary, mutually enriching pieces have been selected: the installations <i>Masses Do (It) Better</i> and <i>There's No Essential Difference</i>, along with the video <i>The Overcrowded Mind</i>, all of them dated 2014.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVWE8MyTpRyHb3og4QxIOC1ySK6C5ziL5P3d-0vkk2rSJQ42lIhWqzzuwUW_Xds-ib-MuF3Dyz-0c06gazzWOWq45Vrue6EED9x3gTKbIFvVmZTbiibmdpFJVLsEE_-IPKarvR561DFvs/s1600/DSC_0019_Masses-do-it-better_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVWE8MyTpRyHb3og4QxIOC1ySK6C5ziL5P3d-0vkk2rSJQ42lIhWqzzuwUW_Xds-ib-MuF3Dyz-0c06gazzWOWq45Vrue6EED9x3gTKbIFvVmZTbiibmdpFJVLsEE_-IPKarvR561DFvs/s640/DSC_0019_Masses-do-it-better_web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;"><b style="color: white; font-family: arial; text-align: left;"><i>Masses Do (It) Better</i></b><span style="color: white; font-family: "arial"; text-align: left;">, 2014. installation View</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqlEbiFsiuY7UvaZcO_AeMi-jKaVtn6hZi9R0Aml2F1IRlpQEUNEUOdTMGVGtS_fM-G_6R79kIHRU9xVAvKNaBlGqatXToYrVZwY6negIRMXfj8igJoCHdt864WuQqR2S0bUhCuxoW7oM/s1600/Fotograma-high-heels_cubierta-web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqlEbiFsiuY7UvaZcO_AeMi-jKaVtn6hZi9R0Aml2F1IRlpQEUNEUOdTMGVGtS_fM-G_6R79kIHRU9xVAvKNaBlGqatXToYrVZwY6negIRMXfj8igJoCHdt864WuQqR2S0bUhCuxoW7oM/s640/Fotograma-high-heels_cubierta-web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;"><span style="color: white;"><b style="font-family: arial; text-align: left;"><i>The overcrowded mind</i></b><span style="font-family: "arial"; text-align: left;">, 2014. Full HD Video</span></span></td></tr>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-61943401956918040872016-02-11T03:41:00.003-08:002016-02-11T04:17:29.928-08:00Jorge Conde's opening at Sala Fortuny in Reus_<div class="separator" style="clear: both; text-align: center;">
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ATARÀXIA - Contra l'era de l'excés</div>
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Friday 12th of February - Friday 4th of March (2016) </div>
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Sala Fortuny (Centre de Lectura). Carrer Major, 15. Reus (Spain)</div>
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<b>OPENING RECEPTION: Friday 12 of February at 8 pm.</b></div>
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JORGE CONDE, LAURA CARRASCOSA, FANI PIZARRO, ÀNGEL POMEROL<br />
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<span style="text-align: start;">"HIPERCONSUM" explores the idea of novelty and consumerism in today's market societies from a collective perspective. Excessive consumption often times is used as an alienating, relieving mechanism. It also serves as an instrument used by individuals in order to overcome peer pressure, be accepted in certain circles, and to exhibit socioeconomic status. Within this context, mass media function as an extremely powerful tool for the creation, communication and dissemination of needs.</span></div>
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Unknownnoreply@blogger.comRoma, Italia41.9027835 12.49636550000002441.524646 11.850918500000024 42.280921 13.141812500000025tag:blogger.com,1999:blog-1570556624125312260.post-30184486809008495352015-11-30T02:39:00.002-08:002017-05-08T12:22:56.456-07:00Presentation of the book "Here & Now: Fraud", at Blanca Soto Gallery in Madrid_<span style="font-family: "courier new" , "courier" , monospace;">"<b>Here & Now: Fraud</b>", a visual arts open call and digital book promoted by BLANCA SOTO Gallery in Madrid, in collaboration with AIR and curated by Imanol Marrodán.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><br /></span><span style="font-family: "courier new" , "courier" , monospace;">Nearly 400 pages dedicated to contemporary thought and cutting-edge visual arts projects!</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><br /></span><span style="font-family: "courier new" , "courier" , monospace;">This publication includes a chapter entirely devoted to <b>Jorge Conde's "The Mass-Man Project</b>" (pages 53-73), an artistic investigation on massive events, crowds behavior, hiperconsumerism and show-business in contemporary Western societies. With this project, Jorge conde aims to visually elaborate on the main ideas stated by José Ortega y Gasset and Gilles Lipovetsky, two European philosophers from different schools and periods who reflected on how democracy and market society influence art and effectively shape our perception of the world<span lang="ES">.</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Crowds Do Better</i>, 2015 (fragmento). © Jorge Conde</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="ES"><b><a href="http://issuu.com/rojoultramar/docs/aqui_y_ahora_2014_catalogo" target="_blank">Access the book "Here & Now: Fraud" (in Spanish)_</a></b></span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="ES"><b>Event:</b> </span></span><span style="font-family: "courier new" , "courier" , monospace;">"Here & Now 2015" </span><span style="font-family: "courier new" , "courier" , monospace;">exhibition opening and "Here & Now: Fraud" book presentation.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="ES"><b>Date & Time:</b> Wednesday December 2nd, 7 pm.</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="ES"><b>Venue:</b> BLANCA SOTO Gallery. C/ Almaden, 13 - 28014 Madrid (Spain).</span></span><br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-51502517032824246912015-11-02T04:26:00.002-08:002015-11-03T01:46:24.485-08:00Jorge Conde, resident artist at the Reale Accademia di Spagna (RAER) in Rome, Italy_<br />
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As part of the institution's Artist Residency Program (ARP), Spanish artist Jorge Conde will create the project "A World-Size House" during the season 2015-2016, to be developed and exhibited at the Reale Accademia di Spagna in Rome (Italy).</div>
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<a href="http://www.accademiaspagna.org/portfolio/jorge-conde/?lang=it" target="_blank">Reale Academia di Spagna in Rome (RAER)'s Website_</a></div>
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Thanks to the MAEC-AECID Visual Arts Grant, awarded earlier this year, Jorge Conde will trace the contemporary cultural utopia and its current paradigms by exploring ten urban transformation projects with a clearly experimental, advanced aim, executed since the beginning of the XXI century in the Lazio region, primarily focusing on those located in the city of Rome.<br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-61567567465076298812015-05-07T00:50:00.000-07:002015-05-07T00:50:04.667-07:00"TST - Museum Findings", "The Scarred Transporter" video installation's fourth channel now finished_<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6yI3zhRDx7jxb25qnn58Z5FMrSB4oCfMNGaw0cPi1n4XGcwNxU9Jk4LMpA2Vz4x-pWcLEtKAx6WxdZW5j0jpFtIgVFpnz761_e6OXpI8HfHy_B-LCeeSBiYgvPZNxS60IbKEH9OfjYrE/s1600/2-Fotogramas-TST-museum-video_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span class="Apple-style-span" style="color: white;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6yI3zhRDx7jxb25qnn58Z5FMrSB4oCfMNGaw0cPi1n4XGcwNxU9Jk4LMpA2Vz4x-pWcLEtKAx6WxdZW5j0jpFtIgVFpnz761_e6OXpI8HfHy_B-LCeeSBiYgvPZNxS60IbKEH9OfjYrE/s1600/2-Fotogramas-TST-museum-video_web.jpg" style="cursor: move;" width="640" /></span></a></div>
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<span class="Apple-style-span" style="color: white;">TST - Museum Findings (2015). Video stills</span></div>
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<span class="Apple-style-span" style="color: white;"><span lang="EN-US" style="color: white; font-family: 'Courier New';">Entirely shot in the London
Film Museum, <i>Museum Findings (2015)</i> is the forth and closing channel of
"The Scarred Transporter" video installation. This highly complex
video work is included in a work-in-progress, interdisciplinary investigation on consumerism as a
form of utopian thinking and its impact on the environment/landscape. This
project was launched in 2010 and first exhibited in PHotoEspaña (PHE’11), the
photography and visual arts festival annually held in Madrid an
Lisbon.</span></span></div>
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<span class="Apple-style-span" style="color: white;"><span lang="EN-US" style="color: white; font-family: 'Courier New';">“The Scarred Transporter” project has been developed thanks to a
production grant awarded by the Spanish Ministry of Culture (MECD) in 2013, and
a Visual Arts grant awarded by the Catalan Government (CoNCA) in the same year.</span><span lang="EN-US" style="color: white; font-family: Times;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="color: white;"><i><span lang="EN-US" style="color: white; font-family: 'Courier New';">Museum
Findings</span></i><span lang="EN-US" style="color: white; font-family: 'Courier New';"> (2015)
ironically presents acceleration as a stereotypical attitude needed to
experiment life to its full potential, a common place extensively used in
contemporary societies, with myriad examples found in the movies, the
show-business, publicity, politics, the mass media, and even in the most
established cultural institutions worldwide.</span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-22362248586879108052015-02-17T10:36:00.002-08:002017-08-28T04:52:17.775-07:00"#esegalloquieremaíz" project exhibited at Rovira i Virgili University campus in Tarragona (Spain)_<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik3uwCHoFyiR6rgaMWgTDrrYXMHIlESg-awxWXfklevlN6mongfLU3rhMpz5hcLPwEWqS8-EwWbvaXv79eRzas3-2N_FDQVADXDpn13lclxrVWNshYpJCpKUxaw04dFj-8rEBHFGFM_90/s1600/9-fotos-+-botas_cubierta_miniweb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik3uwCHoFyiR6rgaMWgTDrrYXMHIlESg-awxWXfklevlN6mongfLU3rhMpz5hcLPwEWqS8-EwWbvaXv79eRzas3-2N_FDQVADXDpn13lclxrVWNshYpJCpKUxaw04dFj-8rEBHFGFM_90/s1600/9-fotos-+-botas_cubierta_miniweb.jpg" style="cursor: move;" width="640" /></a></div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace;">Spanish artist Jorge Conde (Barcelona, 1968) defines #esegalloquieremaíz as an artistic reflection on the events that occurred in Iguala (Mexico) the night of September 26th, 2014 and the morning after: the brutal murders of 6 people and the subsequent disappearance of 43 students from the historical Ayotzinapa Rural Normal School, also known as "normalistas".</span></div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace;">This tragic event has caused great impact on the international public opinion and, beyond its atrocity and local peculiarities, reveals some problems common to most contemporary societies: corruption, greed, violence, impunity, the murky relationship between political power, organized crime and the media, crisis of values, opacity and institutional weakness, questionable separation of powers, devalued and slow implementation of justice, inequality, collective forgetfulness, etc.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM9g3VC8-iyjAaOfDmTxXxaxuvJl2Rq5ts-3vQOvmGhFALIsEcJLB6LsMJt4XtzDKwANbrd9SJtrtRlU4UuOnu2Nb5RxPj2leJnDhEg-3a0FIlTJZ1_eNI5z6s6sisaZAD57qYTMAqqJE/s1600/Porfirio-Di%CC%81az_Ese-gallo-quiere-Mai%CC%81z_press_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM9g3VC8-iyjAaOfDmTxXxaxuvJl2Rq5ts-3vQOvmGhFALIsEcJLB6LsMJt4XtzDKwANbrd9SJtrtRlU4UuOnu2Nb5RxPj2leJnDhEg-3a0FIlTJZ1_eNI5z6s6sisaZAD57qYTMAqqJE/s1600/Porfirio-Di%CC%81az_Ese-gallo-quiere-Mai%CC%81z_press_web.jpg" style="cursor: move;" width="640" /></a></div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace;"><span class="Apple-style-span">The project title, "Ese gallo quiere maíz" (That Rooster Wants Some Corn) is a literal quote attributed to Mexican general and dictator Porfirio Diaz (1830-1915) who, when upset by the behavior of his detractors and political rivals, ordered to silence them with cash or bullets.</span></span></div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace;"><span class="Apple-style-span">The artist, who lived in Mexico for a five-year period, has adapted some of his works to this theme and created some others specifically for this exhibition, which is born with a thought-provoking, constructive spirit.</span></span></div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace;"><span class="Apple-style-span">Likewise, #esegalloquieremaíz project is an artistic artifact concerned with the social function of art, its ability to raise awareness and promote useful debates for the public at large. To do this, Jorge Conde addresses the tragedy of Ayotzinapa through a hybrid strategy designed to create synergies and complicities between reality and fiction, using techniques and resources from seemingly unrelated fields such as the visual arts (photography, video and installation), journalism (truthful and partially false narratives), political propaganda (prefabricated storytelling) and historiography (compilations, archival footage and documents).</span></span></div>
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Photos: <span class="Apple-style-span" style="font-family: inherit; font-size: small;"><span lang="ES">© </span></span>Noelia García 2015</div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace;"><span class="Apple-style-span" style="font-size: 15px;"><a href="http://www.tarragonaradio.cat/cerca_programa?DATA_CONTINGUT&FREE_TEXT=jorge+conde&id=1" target="_blank">Tarragona Radio Interview (Spanish)_</a></span></span></div>
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<a href="https://www.youtube.com/watch?v=_DBkQrNZg1o&feature=youtu.be" target="_blank"><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Opening Video 3_</span></a></div>
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<span class="Apple-style-span" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 15px;"><a href="https://www.youtube.com/watch?v=Qg8s419h7-g&feature=youtu.be" target="_blank">#esegalloquieremaíz Contest on INSTAGRAM Trailer_</a></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;"><br /></span><span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">ARTIST: Jorge Conde<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">CURATORS: Aida Marín, Anna M. Andevert, Beatriz Luque & Magda Guillén<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">PLACE: Universitat Rovira i Virgili – URV (Campus Catalunya), Tarragona<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">DATES: February 11th - March 2nd, 2015<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">OPENING: Wednesday, February 5.30pm.<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">TIMING:<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">-5.30pm. Presentation and Lecture (Sala de Graus URV).<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">Presenters: Antonio Salcedo (Aula d’Art URV coordinator), Jorge Conde (visual artist), Aida Marín, Anna M. Andevert, Beatriz Luque, Magda Guillén (curators).<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">-6pm. Vernissage. Sala de Graus URV<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">-6.15pm. Exhibition opening. CRAI URV (Main library).<o:p></o:p></span></div>
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<span lang="ES" style="color: white; font-family: "courier new" , "courier" , monospace; font-size: 11pt;">SPONSORED BY: Aula d'Art | Universitat Rovira i Virgili (URV) | Espai CRAI | "El Teler de Llum" Art Center, Tarragona</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-29303757096210435352014-11-19T10:05:00.002-08:002015-11-10T11:11:36.563-08:00Jorge Conde presents a selection of recent works at Blanca Soto Gallery in Madrid_<br />
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<span class="Apple-style-span" style="font-family: "arial";"><span lang="EN-US" style="font-family: "arial";">Title: "Here and Now. Fraud"</span></span></div>
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<span class="Apple-style-span" style="font-family: "arial";"><span lang="EN-US" style="font-family: "arial";">Dates: November 13th - December 13th</span></span></div>
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<span class="Apple-style-span" style="font-family: "arial";"><span lang="EN-US" style="font-family: "arial";">Venue: Blanca Soto Gallery. C/ Almadén, 13. 28014 Madrid</span></span></div>
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<span class="Apple-style-span" style="font-family: "arial";"><span lang="EN-US" style="font-family: "arial";">Curated by Imanol Marrodán</span></span></div>
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<span class="Apple-style-span" style="font-family: "arial";"><span lang="EN-US" style="font-family: "arial";">Opening: Thursday November 13th, 8pm.</span></span><br />
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<span class="Apple-style-span" style="font-size: small;"><i>I hereby confess I am a mass-man</i>, 2014</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-39441962675095315872014-10-24T03:13:00.000-07:002014-10-24T03:13:16.705-07:00"The Overcrowded Mind" Video Is Almost Ready! _<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;"><i><span class="Apple-style-span" style="font-size: small;">The Overcrowded Mind</span></i> (2014), video still</td></tr>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-78789928976587541972014-07-10T08:54:00.003-07:002014-07-16T03:38:19.256-07:00Jorge Conde exhibits at the Museum of Modern Art in Tarragona (Spain)_<br />
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Jorge Conde exhibits "Ten Desert Findings", a hybrid video, painting, drawing & photo installation, as part of the 2014 Contemporary Art Biennial exhibition held at the Museum of Modern Art (MAMT) in Tarragona (Spain).</div>
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<i>Ten Desert Findings</i> (2013-14) hybrid installation</div>
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<i>TST Desert Findings</i> (9:56). Video stills</div>
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<b><span lang="EN-US" style="color: red; font-family: 'Arial Rounded MT Bold'; font-size: 13pt;">THE PROJECT_</span></b></div>
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<span lang="EN-US" style="color: white; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;"><<b>T</b></span><b><span lang="EN-US" style="color: red; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">S</span></b><span class="Apple-style-span" style="color: white;"><b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">T</span></b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">><i> </i>is a work-in-progress project which aims to explore the idea of technological
utopia and how it affects the landscape and our behaviour as consumers. To
do so, I focus my research on motor vehicles of all versions and purposes. I
present the automobile as a source of endless emotions and experiences, a “</span></span><i><span lang="EN-US" style="color: red; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">scarred</span></i><span class="Apple-style-span" style="color: white;"><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">” machine which
incarnates the technological utopia of its time and confirms the supremacy of a
global socioeconomic model now in conflict. As it can be seen, I search
for shabby, useless, scrapped vehicles in order to highlight their built-in
obsolescence quality, a widely used strategy in contemporary market
economies which promises ephemeral well-being and serves the purpose of
creating new needs by constantly putting pressure on individuals and altering
the landscape.</span><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: white; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;"><<b>T</b></span><b><span lang="EN-US" style="color: red; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">S</span></b><span class="Apple-style-span" style="color: white;"><b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">T</span></b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">><b> </b>is a collaborative, expanded
evolution of <b><i>Everyday Impostor </i></b>(2009-11), a photo-project
exhibited in PHotoEspaña (PHE’11), the International Photography and Visual
Arts Festival held in Madrid (Spain).</span></span><br />
<span lang="EN-US" style="color: white; font-family: Arial; font-size: 13pt;"><<b>T</b></span><b><span lang="EN-US" style="color: red; font-family: Arial; font-size: 13pt;">S</span></b><span class="Apple-style-span" style="color: white;"><b><span lang="EN-US" style="font-family: Arial; font-size: 13pt;">T</span></b><span lang="EN-US" style="font-family: Arial; font-size: 13pt;">><b> </b>is a</span></span><span class="Apple-style-span" style="color: white;"><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;"> visual arts project created with the support of the Spanish Ministry of Culture (MECD) and with a grant awarded in 2013 by the Catalan Department of Culture (CoNCA).</span></span></div>
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<b><span lang="EN-US" style="color: red; font-family: "Arial Rounded MT Bold"; font-size: 13.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Arial Rounded MT Bold";">THE INSTALLATION_</span></b></div>
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<b><i><span lang="EN-US" style="color: white; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">T</span></i></b><b><i><span lang="EN-US" style="color: red; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">S</span></i></b><span class="Apple-style-span" style="color: white;"><b><i><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">T – Ten Desert Findings</span></i></b><b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;"> </span></b><b><span lang="EN-US" style="font-family: Arial; font-size: 13pt;">(</span></b><span lang="EN-US" style="font-family: Arial; font-size: 13pt;">2013) </span><span class="Apple-style-span" style="font-family: Arial; font-size: 17px;">aims to reflect on technological utopianism and some abuses consumer
society commits on its behalf. To do so, I choose to employ a deceiving,
nearly preposterous strategy: several scale model vehicles were placed in
different spots of a vast desert landscape, where they seemed out of context or
could even be interpreted as an act of aggression towards nature. This video was
filmed in various locations of the “Bardenas Reales” of Navarre desert in
Northern Spain, the largest desert area in continental Europe and a widely used
setting for shooting automobile and technology commercials.</span></span></div>
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<span lang="EN-US" style="color: white; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">In addition, <b><i>T</i></b></span><b><i><span lang="EN-US" style="color: red; font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">S</span></i></b><span class="Apple-style-span" style="color: white;"><b><i><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">T – Ten Desert Findings</span></i></b><b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;"> (</span></b><span lang="EN-US" style="font-family: Arial; font-size: 13.0pt; mso-ansi-language: EN-US;">2013) establishes a dialogue between the audiovisual experience and the
video’s making-of process. This is achieved by confronting the video itself with a
series of 10 photographs that were taken during the shooting. All texts
included in the photos refer to various concepts and stereotypes commonly used
by automobile companies in their ads.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHqenpVDEoRsvfAqLWwk50LR-Gi_LTD6C5dwKJeKxuU7-FRgwQKrER42bFkNVhzWdr1-3m4ZIyy-bb26rJIbQYucMa5Am7jFwjSrG4AJ47Xe7FZ3o7B4m3Y9qCDEBifJ3b3Nuf9YUtyPM/s1600/20140110_115_sombra-desierto_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHqenpVDEoRsvfAqLWwk50LR-Gi_LTD6C5dwKJeKxuU7-FRgwQKrER42bFkNVhzWdr1-3m4ZIyy-bb26rJIbQYucMa5Am7jFwjSrG4AJ47Xe7FZ3o7B4m3Y9qCDEBifJ3b3Nuf9YUtyPM/s1600/20140110_115_sombra-desierto_web.jpg" height="424" style="cursor: move;" width="640" /></a></div>
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Opening: Friday 11th of July, 7:30 pm.</div>
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Venue: MAMT (Museum of Modern Art Modern) C/ Santa Anna, 8 - Tarragona (SPAIN).</div>
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Exhibition Dates: July 11th - September 1st 2014.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-8835214038801677762014-04-02T12:05:00.002-07:002015-02-18T07:33:20.220-08:00Jorge Conde presents his most recent projects at Arts Santa Mònica in Barcelona_<br />
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Jorge Conde presents two of his recent multimedia, collaborative projects, </div>
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"Any Place Is Another Place" and "The Scarred Transporter",</div>
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at Arts Santa Mònica in Barcelona.</div>
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Date: Wed April 9th</div>
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Time: 6 pm - 9 pm</div>
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Place: Arts Santa Mònica Center for the Arts</div>
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La Rambla, 7 - 08002 Barcelona</div>
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<a href="http://www.artssantamonica.cat/ACTIVITATS/tabid/134/language/es-ES/Default.aspx#activitat711" target="_blank">Link to Arts Santa Mònica (SPANISH)</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSGY7fgLbXvkdjVrwTOfl5mE-VD-oEvv4IF6KBoQM-6ZCOS0vchMwP2q1wP5L1jKxR9hw4DDLxticegBaQFZbl3VH-0TcWMIzr1voy5p2gtDct0scmdJPkOkEbYA0qa6O5MLue-iDS1Ig/s1600/Arts-Santa-Mo%CC%80nica-3_ret_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSGY7fgLbXvkdjVrwTOfl5mE-VD-oEvv4IF6KBoQM-6ZCOS0vchMwP2q1wP5L1jKxR9hw4DDLxticegBaQFZbl3VH-0TcWMIzr1voy5p2gtDct0scmdJPkOkEbYA0qa6O5MLue-iDS1Ig/s1600/Arts-Santa-Mo%CC%80nica-3_ret_web.jpg" height="480" width="640" /></a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-9470416285870176192014-03-27T05:38:00.000-07:002014-03-29T05:17:25.117-07:00Jorge Conde's work in OBRA ABIERTA 2014_<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkjjrDONrrdetR2UNZkvzQBB9EN1aaKqzORC_mIqfedPgAETQqdA3qF329NF1WjFh5-YtFgoDuGQs9dRU6CkKocV9iK0KvBSnuc8OX7OEaFNMeihavFAl4SME6iktMPSY0p5LtVnLYSsM/s1600/JConde_imagen-bus-OA2014_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkjjrDONrrdetR2UNZkvzQBB9EN1aaKqzORC_mIqfedPgAETQqdA3qF329NF1WjFh5-YtFgoDuGQs9dRU6CkKocV9iK0KvBSnuc8OX7OEaFNMeihavFAl4SME6iktMPSY0p5LtVnLYSsM/s1600/JConde_imagen-bus-OA2014_web.jpg" height="169" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">< TST > project (2010-2014)</td></tr>
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Jorge Conde, finalist at "Caja de Extremadura" International Visual Arts Prize, exhibits his work in OBRA ABIERTA 2014 and participates in the Gala and Charity Auction organized by UNICEF under the motto "Emergency in Syria".</div>
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Exhibition_</div>
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Opening: Friday March 28th, 8 pm.</div>
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Venue: "Las Claras" Cultural Center, Plasencia (Spain)</div>
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Dates: March 27th - April 23rd, 2014</div>
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Gala & Charity Auction_</div>
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Venue: Alfonso VIII Hotel, Plasencia (Spain)</div>
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Dinner: Friday March 28th, 10 pm.</div>
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<a href="http://www.thescarredtransporter.blogspot.com.es/" target="_blank">< TST > project website</a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-69077585999792467962014-02-01T03:41:00.001-08:002014-02-04T05:32:57.403-08:00Jorge Conde shows "The Chet Test" in Palma (Isle of Majorca)_<br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Jorge Conde exhibits "The Chet Test" v. 2.0 in Palma (Isle of Majorca, Spain). By using a "fraudulent" strategy, this hybrid work challenges the observer, giving him/her the chance of changing his/her role in order to proactively participate in an artistic experiment. This work uses maritime transport as the starting point of a deeper reflection on the concept of "truth" in today's knowledge society and the reliability of contemporary mass media and </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">free-access </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">information sources.</span></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">2013 City of Palma "Antoni Gelabert" Visual Arts Award.</span></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Casal Solleric (Palma). January 20th - March 2nd, 2014.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzwP-pJtcckto3KMTExVfB8qCzUCE42sIDvs3v1zYpn6ctFMFgmOnRUVXNSfgJg0YTR0Xtrd46sXjY6o_dwAigxI-SheIXad8j_hTi8gVSz49jX2KXWAx-X0akm68uGlcAs5u6c9mYu38/s1600/The-Chest-Test-(installation-marcos,-intros-y-expositores)_Jorge-Conde_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzwP-pJtcckto3KMTExVfB8qCzUCE42sIDvs3v1zYpn6ctFMFgmOnRUVXNSfgJg0YTR0Xtrd46sXjY6o_dwAigxI-SheIXad8j_hTi8gVSz49jX2KXWAx-X0akm68uGlcAs5u6c9mYu38/s1600/The-Chest-Test-(installation-marcos,-intros-y-expositores)_Jorge-Conde_web.jpg" height="216" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"THE CHET TEST" v.2.0 (2013)<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe72amSIcrM21S40AFdMz6MnihJqMk5O8LgK6MaHVDW7UxCqCcNHX_L2epSXZ8oaQTDcChlJE3-e2RoxiV_s1FTSzqkT-DWDHmWukrDuxlbXYf_doO_BCWPUg8q-FR05nM99nbISz8Zz0/s1600/Newsletter+CHET+TEST+en+Casal+Solleric_completo_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe72amSIcrM21S40AFdMz6MnihJqMk5O8LgK6MaHVDW7UxCqCcNHX_L2epSXZ8oaQTDcChlJE3-e2RoxiV_s1FTSzqkT-DWDHmWukrDuxlbXYf_doO_BCWPUg8q-FR05nM99nbISz8Zz0/s1600/Newsletter+CHET+TEST+en+Casal+Solleric_completo_web.jpg" height="640" width="340" /></a></div>
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<div style="text-align: center;">
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<tr><td class="tr-caption" style="font-size: 13px; padding-top: 4px; text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
Photo-textual Installation View</div>
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</tbody></table>
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
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<div style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
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<tr><td style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrUmkdsmwMSpgftJGQx-lIGn6VDNu7QwyGObO3qDPcpC2xlRDJhQ3IhPWlQzvFq1KOBHYBEtAeI3jSQkGYYMQIh8LVbzurv8TGRxXnsmUVPJ0jQfq0CtT0TZuqBa_MrkbIxUc6WAxv0B8/s1600/Foto+expo+2+con+presi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" closure_lm_873404="null" cua="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrUmkdsmwMSpgftJGQx-lIGn6VDNu7QwyGObO3qDPcpC2xlRDJhQ3IhPWlQzvFq1KOBHYBEtAeI3jSQkGYYMQIh8LVbzurv8TGRxXnsmUVPJ0jQfq0CtT0TZuqBa_MrkbIxUc6WAxv0B8/s1600/Foto+expo+2+con+presi.jpg" height="266" style="cursor: move;" width="400" /></a></div>
</td></tr>
<tr><td class="tr-caption" style="font-size: 13px; padding-top: 4px; text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
Opening & Exhibition Views</div>
</td></tr>
</tbody></table>
</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1570556624125312260.post-13885542289905778122014-01-13T10:21:00.000-08:002014-02-16T11:35:41.687-08:00Jorge Conde presents his "TST" expanded video installation in CEART Fuenlabrada (Madrid)_<br />
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<b><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">OPENING: January 9th, 8 pm</span></b></div>
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<b><span lang="EN-US" style="font-family: Arial;">The Scarred Transporter (TST)</span></b><i><span lang="EN-US" style="font-family: Arial;"> </span></i><span lang="EN-US" style="font-family: Arial;">is
a work-in-progress, interdisciplinary, collaborative project which aims to
explore the idea of technological utopia and how it affects the landscape and
our behaviour as consumers. To do so, we focus our research on motor
vehicles of all versions and purposes. We present the automobile as a source of
endless emotions and experiences, a “perfectly scarred” machine which
incarnates the technological utopia of its time and confirms the supremacy of a
global socioeconomic model. As it can be seen<b>, </b>we search for and
photograph shabby, useless, scrapped vehicles in order to highlight their
built-in obsolescence<b> </b>quality, a widely used strategy in
contemporary market economies which promises ephemeral well-being and serves
the purpose of creating new needs by constantly putting pressure on individuals
and altering the landscape.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-right: 3.9pt; text-align: justify;">
<span lang="EN-US" style="font-family: Arial;">Nonetheless, it is hard to think that in a
context of severe crisis, built-in obsolescence can be a desirable or even
sustainable strategy. Rather, it seems more appropriate to sometimes go back to
the old repair-reuse-and-recycle strategy applied to obsolete items, including
technology. The economic uncertainty many countries have been facing in the
past few years, along with the misery that for decades has plagued vast areas
of the world, demand from all of us a more responsible use of technology and more
ethical production and consumption practices.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right: 3.9pt; text-align: left;">
<br /></div>
<b><span lang="EN-US" style="font-family: Arial;">TST </span></b><span lang="EN-US" style="font-family: Arial;">is a collaborative, expanded evolution of <i>Everyday
Impostor </i>(2009-11), a photo-project exhibited in <b>PHotoEspaña’11</b>,
the International Photography & Visual Arts Festival held in Madrid
(Spain).</span><br />
<div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;">
<br /></div>
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<div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw_DtIkb1hNJrSDFUdLcWFXgvzW63_l7bZCLsrBV_0ywXMTzFuTdb0iQojJ-cX8UJEtUaN3m2URHnmEvPPipeUjWUtal7ODmK0pVK78lEvC4LYK5jZpB5lp_LLFB_dQiztLXfNHyYbCXo/s1600/20140110_78_intelligence-+-3-vi%CC%81deos_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw_DtIkb1hNJrSDFUdLcWFXgvzW63_l7bZCLsrBV_0ywXMTzFuTdb0iQojJ-cX8UJEtUaN3m2URHnmEvPPipeUjWUtal7ODmK0pVK78lEvC4LYK5jZpB5lp_LLFB_dQiztLXfNHyYbCXo/s640/20140110_78_intelligence-+-3-vi%CC%81deos_web.jpg" height="446" style="cursor: move;" width="640" /></a></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue';"><span style="font-family: "Helvetica Neue";"><br /></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXZ-8_3eb42AufjG8D5-6f61Be8i1_AhB0ZLVXvRn92PPIyuPLF-Py9mu7hRHgqVbiiP6Xy76RgJllk-SsN6NnFIwqnt7B_vN29fZIePbsgLLMXyYSkBBoSGt0zWWCnit55xdIUM0CEw8/s1600/20140109_36_paddock_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXZ-8_3eb42AufjG8D5-6f61Be8i1_AhB0ZLVXvRn92PPIyuPLF-Py9mu7hRHgqVbiiP6Xy76RgJllk-SsN6NnFIwqnt7B_vN29fZIePbsgLLMXyYSkBBoSGt0zWWCnit55xdIUM0CEw8/s640/20140109_36_paddock_web.jpg" height="430" style="cursor: move;" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjISYIKJsHz0QGjvgXJmFg5ooQ7MkHkgOzi64fnjzdaEm6dTn0KpS_7h8sTFdxa474AMPb1h3nbt6b1m6XkmnzD-BzrvGlJ-8DvBxqCCWnY6Eg2p3CrQerISbNHs5_4qQK1cReKE0yAuxY/s1600/20140110_45_excitement-general_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjISYIKJsHz0QGjvgXJmFg5ooQ7MkHkgOzi64fnjzdaEm6dTn0KpS_7h8sTFdxa474AMPb1h3nbt6b1m6XkmnzD-BzrvGlJ-8DvBxqCCWnY6Eg2p3CrQerISbNHs5_4qQK1cReKE0yAuxY/s640/20140110_45_excitement-general_web.jpg" height="448" style="cursor: move;" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcUzVKY7p5kNlWpnXgkYEftcnvuQx4F7djShbUUTd-37IWiEC1qosTkRJH07oWV7N9TDIkZBhIdOQOF95x83H_XOR-GLK5JvIxde1iF98l2aDiux2Hdzn0HIWr-BvrfvrnBis1pfvlccw/s1600/Won't-you-love-me-this-way_detail_PKF_final_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcUzVKY7p5kNlWpnXgkYEftcnvuQx4F7djShbUUTd-37IWiEC1qosTkRJH07oWV7N9TDIkZBhIdOQOF95x83H_XOR-GLK5JvIxde1iF98l2aDiux2Hdzn0HIWr-BvrfvrnBis1pfvlccw/s1600/Won't-you-love-me-this-way_detail_PKF_final_web.jpg" height="634" width="640" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5oFaPx4fkEGwEXR-BEfLj3sxlqaNF3MNK9dc5K9R3exRzyJTrhfLYc3IgUw-pWW0RNzjBuYaeV16NC0lPmuXdjgYSrc0ZjjNgOiL8W_ovy1cFeLJzRTCGN0ebCFH63Aa0FnUgOnL3Gjc/s1600/Won't-you-love-me-this-way--installation_final_PKF_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5oFaPx4fkEGwEXR-BEfLj3sxlqaNF3MNK9dc5K9R3exRzyJTrhfLYc3IgUw-pWW0RNzjBuYaeV16NC0lPmuXdjgYSrc0ZjjNgOiL8W_ovy1cFeLJzRTCGN0ebCFH63Aa0FnUgOnL3Gjc/s1600/Won't-you-love-me-this-way--installation_final_PKF_web.jpg" height="550" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Won't you love me this way?, 2011-13 (installation view)</td></tr>
</tbody></table>
</div>
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